Conclusion

French New Wave is a film movement that goes against the traditional way by applying more jump cuts, goes for location shooting rather than studio shooting, uses direct sounds and available lights, rejects film traditions by breaking some of the rules like the 4^th Wall, and it also uses improvised plot and dialogues. French New Wave films emphasis more on mise-en-scene, by using long takes and jumpcuts which draws the audiences’ attention.

Unlike other film movements, French New Wave films lack of causal chain and goal-oriented lead, so the connection of the film is quite loose. Another thing that differs from other films is the ending of most French New Wave films ends with uncertain and unsolved.

Although this film movement seems rebellious in the industry, but thanks to it, feminine rights is protected and respected, yet creating interesting shots which then develops pop culture.

The directors have passion and different point of view towards the film which then bear the stamp of personal authorship in their films. That is, a conviction that the best films are the product of a personal artistic expression.

French New Wave was said to be ended in 1969, with Godard's film, Weekend. Did the wave gone after its glory time? No. Is it still relevant until today? Yes, in fact, it is timeless relevant and becoming the roots for directors nowadays, like Steven Soderberg. 

"Godard is a constant source of inspiration. Before I do anything, I go back and look at as many of his films as I can, as a reminder of what’s possible."-Steven Soderbergh.

Other than, music videos we watch nowadays, are mostly referring to French New Wave, by applying long takes, improvised plots and dialogue, and massive of jump cuts.